Jasmine Togo-Brisby, Inheritance, 2019. Collodion on glass. 258 x 305mm. Photo credit: Brian Scadden 
Jasmine Togo-Brisby, Ceiling Centre, II (blak), 2020. Plaster, oxide, fiberglass, stain. Photo Credit: Ryan McCauley 
Jasmine Togo-Brisby, Ceiling Centre, III (blak), 2020. Plaster, oxide, fiberglass, stain. Photo Credit: Ryan McCauley 
Jasmine Togo-Brisby, Adrift in the Abyss I, 2019. Collodion on glass. 258 x 305mm 
Jasmine Togo-Brisby, South Sea Heiress, 2019. Collodion on glass. 258 x 305mm 
Shiraz Bayjoo, Extraordinary Quarantines No. 12, 2009. Archival pigment print, 101.6 x 101.6 cm 
Shiraz Bayjoo, Ile Maurice No. 16, 2009. Giclée print, 50.8 × 50.8 cm 
Shiraz Bayjoo, Extraordinary Quarantines No. 15, 2014. Glicée Print, 20 x 20 in 
Shiraz Bayjoo, My Old Place No. 2, 2009. Glicée Print, 40 x 40 in 
Shiraz Bayjoo, Extraordinary Quarantines No. 40, 2009. Archival pigment print, 101.6 x 101.6 cm 
Shiraz Bayjoo, Ile Maurice, No. 7 , 2009. Giclée print, 50.8 × 50.8 cm 
Andil Gosine, Annetta Seecharran, 2013 
Andil Gosine, Gaiutra Bahadur, 2013 
Andil Gosine, Ian Harnarine, 2013 
Andil Gosine, Rajiv Mohabir, 2013
On Andil Gosine’s photographs included above: In 2013, artist-scholar Andil Gosine staged “(Made in Love)” as the first of his ‘Cane Portraiture’ series in which subjects are invited to pose in front of a backdrop of sugarcane, both replicating and disrupting the colonial studios that became popular in British colonies starting in the late 19th century. The images presented here were taken at the inaugural “Indo-Caribbean Alliance” gala at the Jamaica Performing Arts Centre in Queens, New York and are of four key contemporary voices from the community: writers Gaiutra Bahadur and Rajiv Mohabir, filmmaker Ian Harnarine, and community leader Annette Seecharran.